After crafting one of the most bitingly funny satires of the last decade in In the Loop, Armando Iannucci instantly became a comedic talent I'd always keep an eye out for. Many have tried, but no other filmmaker—or, excepting Jon Stewart and Stephen Colbert, comedian in general—managed to so smartly capture the absurdity of Bush-era politics.
But it's been almost three years since In the Loop, and Iannucci hadn't made much of a peep (at least in America; lucky Brits have since been treated to two more series of The Thick of It, the show upon which In the Loop was based). Then came news, late in 2011, that he'd be teaming with the phenomenally talented Julia Louis-Dreyfus for an HBO comedy series based around the misadventures of America's first female vice president. That was all I needed to hear before I was sold.
Veep premiered in April and had a run of eight episodes, the last of which aired Sunday, June 10. All eight range from great to excellent, as Iannucci, co-creater Simon Blackwell managed to create something dense and dynamic while never losing sight of the importance of chemistry among the top-notch cast. Simply put, Veep is currently the funniest show on TV. And nothing else comes all that close.
The series is all about Vice President Selina Meyer (Louis-Dreyfus in Emmy-winning form). She's a democrat with high hopes on passing major pieces of legislation involving filibuster reform and clean jobs during her time in the second-highest office of the land. Consistently, however, she and her staff find themselves at the brunt of shallow, petty media firestorms: "Selina and the First Lady are rivals!" "Selina fired a Secret Service agent for smiling at her!" "Selina doesn't think Asians are real Americans!" (OK, that last one wasn't exactly shallow...)
Amy (Anna Chlumsky, also from In the Loop) is the VP's chief of staff. She's generally level-headed and quite loyal to Selina, but when she brings in a real dick of a deputy director of communications, Dan Egan (Reid Scott), she finds herself off her game a bit. Gary (Tony Hale) is a non-entity in the office, more suitable to finding the VP the right hand lotion or bringing her tea than he is to making important PR or policy decisions. Mike (Matt Walsh), meanwhile, is head of communications, but no one in Washington takes him seriously, meaning he's a consistent source of aggravation for the office. Only Sue (Sufe Bradshaw) seems truly competent at her job, which unfortunately is only to give the VP the bad news that the President, in fact, hasn't called.
Those expecting some slapsticky Sarah Palin bashing will be disappointed; Veep is far more nuanced than that, and Selina Meyer is a different beast entirely. I saw some writers bemoan the fact that she isn't likable and doesn't have must of a life outside the office, but I think that's precisely the point. Meyer loses any sense of agency she once had by agreeing to become VP. She's 100% defined by the office, which is, in turn, 100% defined by the president and his staff.
You see a lot of this in "Nicknames", the series' fifth episode and one of its strongest. The president has all but killed Selina's clean jobs proposal, but Dan goes behind her back and gets a hapless senator to introduce a version of it as an amendment on an important piece of "fiscal responsibility" legislation, which is atop the president's wish list. The amendment locks up the Senate—50 vote for it, 50 against it. Now, Selina is forced to either vote for her plan and betray the president or remain loyal to her boss and end any chance at passing her legislation. “This is some weird-ass, Through The Looking Glass shit,” Selina says. It shouldn't come as much of a surprise, though, that there's nary a mention of clean jobs in episodes 6-8.
The one character I haven't touched much on is Jonah (Timothy Simons), the White House's liaison to the VP's office. He's a grade-A douche, but easily one of the series' most entertaining individuals. Every episode, he struts his way into Selina's office to the sound of groans from everyone around him. Jonah's life is put under the microscope in "Nicknames" (just another reason that particular episode is so strong), and we get first-hand evidence of why he's thought of by everyone—even those lower than him on the food chain—as a worthless dipshit. Dan is reluctantly befriending him in the hopes of becoming a confidante, so the two attend a metal concert ("This is fucking primordial!" Jonah exclaims while thrashing around like a fish out of water on the dance floor). Dan, as always, is all business, and he couldn't be more repulsed by the pathetic excuse for a Washington insider that is Jonah Ryan. Yet he ends up getting played, and Selina's subsequent freakout is among my favorite little moments of the series (check it out here).
As you can see, I dug "Nicknames", but it's not Veep's only gem of an episode. Some other highlights:
Of course, not every joke, scene, or episode hits the mark. A sampling of Veep's few lowlights:
I give Veep's first season an A-. Like I said, it's as funny as anything else on TV, yet frightening at the same time because the dramatized political machinations feel a little too real. In other words, I don't doubt that Selina Meyers, Dan Egans, and Jonah Ryans exist in our government today. So give the show a watch (after you catch up with In the Loop, of course) and prepare to laugh your ass off.
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