I've recently watched this 1992 TV movie based on a classic novel by George Eliot, Adam Bede, her first published work, actually. It was not as good as other adaptation of Eliot's works I've seen (Daniel Deronda, Middlemarch or The Mill on the Floss) . However, it was at least rather loyal to the book. The strangest thing was ...my feelings for the protagonist. One is supposed to sympathize with him, while I felt so ... awkward and uneasy since the supposed flawed but naive, good-hearted, romantic lead character, Adam Bede, had the familiar face (twenty years younger) of Iain Glen. What's wrong with him? In my mind he bears the guilt of being the trechearous and wicked Vaughn Edwards in Spooks 9, the one who started the downfall of Lucas North. I had a hard time to move from hate to love, poor Adam Bede. Think that I rather preferred the meant-to-be the villain in this story, the charming seducer Captain Donnithorne, played by James Wilby. .
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| Glen as Vaughn in Spooks season 9. Do I need to add ... on the left? |
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| Glen as Adam Bede (1992) |
The plot
Set in the rural community of Hayslope at the very beginning of the 19th century, Adam Bede tells the story of Hetty Sorrel (Patsy Kensit), a beautiful dairymaid who finds admirers throughout the county. Chief among them is Adam Bede (Iain Glen), a kindly carpenter who loves Hetty. But Hetty doesn't love him; instead, she finds love and sex with Captain Arthur Donnithorne (James Wilby), the heir to the county's big estate who's convalescing from an injury. Adam is attracted to Dinah Morris (Susannah Harker aka Jane Bennet 1995) as well, a cousin to Hetty and a fervent Methodist preacher.
When Adam finds out that Captain Donnithorne has been seeing Hetty, he fights with him, and convinces Arthur to break it off with Hetty. Arthur does, and leaves for his regiment. Adam convinces himself that he will marry Hetty, but before the wedding, she leaves town - carrying Arthur's child inside her. Chasing after Arthur, she misses him and gives birth to her baby. But, in her "confusion," she buries the living child in a field, killing it, and stands trial for murder. Will Adam Bede or Captain Donnithorne succeed in saving her from hanging?
From the book to the movie
The movie is quite short and totally lacks the in-depth psychological analysis typical of George Eliot . In the book we know much about Adam Bede and his inner struggle and sorrow, which will make him a better man in the end of the story, largely humbled and less judgmental of others. Also the heroines aren't so neatly portrayed in the TV movie, both Hetty's and Dinah's personalities have many nuances in the book which we can't even have a glimpse of on screen. But you can't expect too much from a less than 2 hours' long movie, can you?
I must admit, though, that the gist of Eliot's themes and motifs can be recognized in the TV movie too:
Did you know that ... ?
On the whole, I'm glad I could add this piece to my DVD collection and to my list of period movies watched and reviewed.
The movie is quite short and totally lacks the in-depth psychological analysis typical of George Eliot . In the book we know much about Adam Bede and his inner struggle and sorrow, which will make him a better man in the end of the story, largely humbled and less judgmental of others. Also the heroines aren't so neatly portrayed in the TV movie, both Hetty's and Dinah's personalities have many nuances in the book which we can't even have a glimpse of on screen. But you can't expect too much from a less than 2 hours' long movie, can you?
I must admit, though, that the gist of Eliot's themes and motifs can be recognized in the TV movie too:
- Eliot contrasts inner and outer beauty throughout the novel to express the idea that external and internal realities do not always correspond - one of the chief differences between the good characters and the evil characters is their commitment to working hard .
- Love has the power to transform characters in the novel. The characters who love are portrayed as gentle, kind, and accepting.
- Bad behavior and wrongdoing have consequences that extend beyond the wrong-doer, and even relatively small transgressions can have massive collateral effects.
- Eliot’s description of the natural beauty of the English countryside, especially in scenes of great sadness or evil, expresses the idea that external and internal realities do not always correspond
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| Alan Cox as Seth Bede |
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| Julia McKenzie as Mrs Poyser |
Eliot drew the plot of Adam Bede from the death of Mary Voce, who was executed in 1802 for killing her child. Eliot’s Methodist aunt told her about Voce, whom her aunt visited and converted in jail. According to Eliot’s account of the writing of the novel, the character of Dinah Morris is based very loosely on Eliot’s aunt, and Adam Bede himself is based very loosely on Eliot’s father as a young man.
On the whole, I'm glad I could add this piece to my DVD collection and to my list of period movies watched and reviewed.
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