February is always a tricky month: like January, there's a lot of "release this now and hopefully nobody will notice it" garbage, but sometimes you get lucky. And my gut tells me that this year, we're due: there are not, admittedly, any films on the immediate horizon that appear to be particularly great, but I dearly do hope that at least a couple of them might be good enough, which is often the only thing you can hope for.
3.2.2012
And here's one of those maybe good-enough films right up top: The Woman in Black, a haunted house picture starring a newly post-Harry Potter Daniel Radcliffe. Now, there's nothing as easily fucked-up as a horror picture (unless it is a romantic comedy, an awards-baiting biopic, or a summertime action movie), but the trailer has a good amount of old-fashioned creepiness to it; and ghost stories have been doing well these days. Anyway, on the curve that we are obliged to use for the first third of the calendar year, it strikes me as being a good bet.
It is, at any rate, the only film of the weekend that I'm expecting good things from at all: Big Miracle, or Dolphin Tale 2: With Whales This Time, is transparently the kind of feel-good animal story that I, at least, have never been able to abide, though it has a heck of a cast; and Chronicle, a found-footage teen sci-fi thriller... is a found-footage teen sci-fi thriller. With a cutesy-poo "mysterious" marketing campaign that has not, as yet, made it look any less terrible.
10.2.2012
An unusually well-balanced mix of three films, from action to romantic drama to kid's adventure movie. That all three of them look pretty damn bad is incidental to the elegance of the marquees they shall produce.
Firstly, there's Safe House, which looks for all the world like Tony Scott film shot by Paul Cameron, up to and including Denzel Washington as the morally ambiguous co-lead; and yet it was neither directed by Tony Scott, nor shot by Paul Cameron at all. Which sets it fully in the world of rip-off and knock-offs, though I have to wonder how many people in the target audience are actually aware of what's being ripped off. Next (I don't know why I'm saying these are in any particular order, but still, next) is Journey 2: The Mysterious Island, which I can't get my head around at all: first because a sequel to the 2008 Journey to the Center of the Earth makes absolutely no sense, second because setting a sequel to a modern-day Jules Verne adaptation inside a completely unrelated Jules Verne novel make sense in the most excitingly sick way. Then is The Vow, which looks for all the world like a Nicholas Sparks adaptation that isn't, and in this case I suppose the target audience knows that and doesn't care.
There's one other wide release, and it even keeps the balance in order: it is, I am sad to say, the 3-D re-release of Star Wars: Episode I - The Phantom Menace. The first in what, we are threatened, is to be a six-year plan to squeeze every last drop of money from the films, on the back of what appears (from the trailers) to be an unusually shitty conversion job, and a film that is more or less hated by everybody. I remain entirely unclear why George Lucas didn't see fit to begin with the actual first Star Wars, but he acts like he knows what he's doing. Incidentally, if this goes to #1 at the box office - which I do not anticipate - I'm not going to see it; partially because I don't see the point of another pan of The Phantom Menace, partially because I vowed six and a half years ago not to watch any of the Star Wars films until such time as Lucas releases the unaltered version of the original films, because he obviously cares what I do or say.
14.2.2012
Happy Valentine's Day, courtesy of Reese Witherspoon, Chris Pine, and Tom Hardy, and the romantic spy comedy This Means War! Hell, that's at least one-third of a cast worth paying attention to, and I admire the obviousness of combining things girls like (romantic comedies) with things boys like (spies) in what shall undoubtedly be a spirited comedy that doesn't feel blandly focused-grouped at all.
17.2.2012
If there is one safe bet all month, it is the U.S. release of the two-year old Studio Ghibli feature (their 17th), The Secret World of Arrietty, which may well be from a first-time director, Yonebayashi Hiromasa, and may well be sort of cheap-looking, if we are to trust the trailers, but goddammit, Studio Ghibli. Let us not dwell on the fact that the last one released in the States was the weak Tales of Earthsea. At any rate, it is based upon solid source material, and until Takahata's Tales of the Bamboo Cutter finally shows up, we'll have to take what we can get.
Also, there is a sequel to Ghost Rider, and it is called Ghost Rider: Spirit of Vengeance, in case you give a shit. At the very least, dropping the director of Daredevil for the directors of Crank feels like a step in the right direction.
24.2.2012
This Tyler Perry kick I've been on comes to a close with the punningly-titled Good Deeds, in which a certain Wesley Deeds, played, of course, by Perry, probably doesn't end up with a huge sum of money and thereafter is forced to defend his sanity in a court of law and prove that country folk can be just as smart as city dwellers. He probably does, though, learn to be a better man with Jesus. Just guessing.
Amanda Seyfried tries to jumpstart that career that just stubbornly refuses to pick up, this time as an action heroine, with the paranoia thriller Gone, which at least has a tremendously straightforward title to its credit. Over here, we have Wanderlust, a new David Wain comedy, starring Jennifer Aniston and Paul Rudd and a "hippies are silly!" concept from 1973. And lastly, we have Act of Valor, which is advertising itself with special emphasis on the fact that the whole cast is made up of non-actors from the NAVY Seals, as though that was actually a good thing; and maybe for people for whom the military matters more than art, it is
Tuesday, January 31, 2012
Baby Toes
Poetry. I grew up on children's poetry. But outside of that? I missed most of the so-called masters. No real loss because most weren't all that great. I came up after women had revolutionized poetry so women like Anne Sexton captured my imagination -- and she still does. She's probably the best American poet of the 20th century.
It was liberating to read her and others (men and women) who tackled the world around them and didn't just turn a phrase. War and struggle was all over the world and all around us. Poets on clouds didn't really nourish me or speak to me.
So I've never regretted missing the so-called masters.
But when the theme post came up, I thought I'd check out an older poet. I ran into the bookstore and ended up grabbing a volume entitled Selected Poems of Carl Sandburg. I grabbed it for two reasons. First, it was edited by Rebecca West. Second, there's one about the fog that C.I.'s quoted over the years.
So it was a discovery to read through the volume. Some I enjoyed, some I was lukewarm to. A great many, I felt, would make a wonderful children's book.
Baby Toes
THERE is a blue star, Janet,
Fifteen years' ride from us,
If we ride a hundred miles an hour...
There is a white star, Janet,
Forty years' ride from us,
If we ride a hundred miles an hour.
Shall we ride
To the blue star
Or the white star?
That's one of the poems I think would make a great addition to a children's book of poems, especially with a solid illustrator.
"Iraq snapshot" (The Common Ills):
It was liberating to read her and others (men and women) who tackled the world around them and didn't just turn a phrase. War and struggle was all over the world and all around us. Poets on clouds didn't really nourish me or speak to me.
So I've never regretted missing the so-called masters.
But when the theme post came up, I thought I'd check out an older poet. I ran into the bookstore and ended up grabbing a volume entitled Selected Poems of Carl Sandburg. I grabbed it for two reasons. First, it was edited by Rebecca West. Second, there's one about the fog that C.I.'s quoted over the years.
So it was a discovery to read through the volume. Some I enjoyed, some I was lukewarm to. A great many, I felt, would make a wonderful children's book.
Baby Toes
THERE is a blue star, Janet,
Fifteen years' ride from us,
If we ride a hundred miles an hour...
There is a white star, Janet,
Forty years' ride from us,
If we ride a hundred miles an hour.
Shall we ride
To the blue star
Or the white star?
That's one of the poems I think would make a great addition to a children's book of poems, especially with a solid illustrator.
"Iraq snapshot" (The Common Ills):
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Berkley's BATTLESTAR GALACTICA Paperback Novels
More books from my collection - the first four Battlestar Galactica novelizations by Robert Thurston ("and Glen Larson" - sure....) from Berkley Books. The first Galactica novel adapted the pilot, and sported the familiar Robert Tannenbaum poster artwork on its cover. I must have read this book a couple dozen times in Junior High....
I read book 2, Cylon Death Machine, (based on the two-part epic, "Gun On Ice Planet Zero") even more times. Thurston's adaptation is a terrific space adventure story that improves on the teleplay somewhat, and employs a truly neat narrative device that switches around between the viewpoints of various characters - including the hardboiled convicts that the Galactica crew conscripted from the Prison Ship for this "Dirty Dozen Against the Guns of Navarone at Ice Station Zebra" mission. Berkley chose to use Frazetta's TV advertising art for this cover - which I'm sure was a very wise commercial decision.
I remember that I received books 3 & 4 for Christmas, 1980. The Tombs Of Kobol adapted the two-part "Lost Planet of the Gods," while The Young Warriors adapted and slightly expanded upon the episode of the same name. Both of these books sported rather nice (and TV-accurate) wrap-around cover paintings by sci-fi artist David Shleinkofer.
Amazingly, this series outlived the television show by almost a decade - running all the way to 1988, and totaling 14 titles, the last few of which were original stories, and not adaptations of TV episodes. Somehow, I missed all of the later volumes (written by Thurston, Mike Resnick, Ron Goulart, and others), except for #13 - a Thurston original called Apollo's War. (Cover art by James Warhola.)
Oddly, I don't recall actually reading that one - I think I'll pull it out and add it to my "To Be Read" pile....
In the meantime, I think I'll start scouring online used booksellers for the volumes I'm missing. I'm especially interested in reading the later "originals" by Thurston.
ADDENDUM 2/5/12: I found a few of the ones I'm missing at some reasonable prices, and ordered four books from various online dealers: #7 War Of The Gods, #9 Experiment In Terra, #11 The Nightmare Machine, #12 Die, Chameleon!
Die, Chameleon arrived on Saturday in good shape. Hopefully, the others will also show up in decent condition. Turns out that I also already have a beat up copy of #5, Galactica Discovers Earth, though it's in such bad shape I may want to try and find a replacement copy. Then I think I'll only need the following books: #6 The Living Legend, #8 Greetings From Earth, #10 The Long Patrol, and the final volume, #14 Surrender The Galactica.
I read book 2, Cylon Death Machine, (based on the two-part epic, "Gun On Ice Planet Zero") even more times. Thurston's adaptation is a terrific space adventure story that improves on the teleplay somewhat, and employs a truly neat narrative device that switches around between the viewpoints of various characters - including the hardboiled convicts that the Galactica crew conscripted from the Prison Ship for this "Dirty Dozen Against the Guns of Navarone at Ice Station Zebra" mission. Berkley chose to use Frazetta's TV advertising art for this cover - which I'm sure was a very wise commercial decision.
I remember that I received books 3 & 4 for Christmas, 1980. The Tombs Of Kobol adapted the two-part "Lost Planet of the Gods," while The Young Warriors adapted and slightly expanded upon the episode of the same name. Both of these books sported rather nice (and TV-accurate) wrap-around cover paintings by sci-fi artist David Shleinkofer.
Amazingly, this series outlived the television show by almost a decade - running all the way to 1988, and totaling 14 titles, the last few of which were original stories, and not adaptations of TV episodes. Somehow, I missed all of the later volumes (written by Thurston, Mike Resnick, Ron Goulart, and others), except for #13 - a Thurston original called Apollo's War. (Cover art by James Warhola.)
Oddly, I don't recall actually reading that one - I think I'll pull it out and add it to my "To Be Read" pile....
In the meantime, I think I'll start scouring online used booksellers for the volumes I'm missing. I'm especially interested in reading the later "originals" by Thurston.
ADDENDUM 2/5/12: I found a few of the ones I'm missing at some reasonable prices, and ordered four books from various online dealers: #7 War Of The Gods, #9 Experiment In Terra, #11 The Nightmare Machine, #12 Die, Chameleon!
Die, Chameleon arrived on Saturday in good shape. Hopefully, the others will also show up in decent condition. Turns out that I also already have a beat up copy of #5, Galactica Discovers Earth, though it's in such bad shape I may want to try and find a replacement copy. Then I think I'll only need the following books: #6 The Living Legend, #8 Greetings From Earth, #10 The Long Patrol, and the final volume, #14 Surrender The Galactica.
Berkley's BATTLESTAR GALACTICA Paperback Novels
More books from my collection - the first four Battlestar Galactica novelizations by Robert Thurston ("and Glen Larson" - sure....) from Berkley Books. The first Galactica novel adapted the pilot, and sported the familiar Robert Tannenbaum poster artwork on its cover. I must have read this book a couple dozen times in Junior High....
I read book 2, Cylon Death Machine, (based on the two-part epic, "Gun On Ice Planet Zero") even more times. Thurston's adaptation is a terrific space adventure story that improves on the teleplay somewhat, and employs a truly neat narrative device that switches around between the viewpoints of various characters - including the hardboiled convicts that the Galactica crew conscripted from the Prison Ship for this "Dirty Dozen Against the Guns of Navarone at Ice Station Zebra" mission. Berkley chose to use Frazetta's TV advertising art for this cover - which I'm sure was a very wise commercial decision.
I remember that I received books 3 & 4 for Christmas, 1980. The Tombs Of Kobol adapted the two-part "Lost Planet of the Gods," while The Young Warriors adapted and slightly expanded upon the episode of the same name. Both of these books sported rather nice (and TV-accurate) wrap-around cover paintings by sci-fi artist David Shleinkofer.
Amazingly, this series outlived the television show by almost a decade - running all the way to 1988, and totaling 14 titles, the last few of which were original stories, and not adaptations of TV episodes. Somehow, I missed all of the later volumes (written by Thurston, Mike Resnick, Ron Goulart, and others), except for #13 - a Thurston original called Apollo's War. (Cover art by James Warhola.)
Oddly, I don't recall actually reading that one - I think I'll pull it out and add it to my "To Be Read" pile....
In the meantime, I think I'll start scouring online used booksellers for the volumes I'm missing. I'm especially interested in reading the later "originals" by Thurston.
ADDENDUM 2/5/12: I found a few of the ones I'm missing at some reasonable prices, and ordered four books from various online dealers: #7 War Of The Gods, #9 Experiment In Terra, #11 The Nightmare Machine, #12 Die, Chameleon!
Die, Chameleon arrived on Saturday in good shape. Hopefully, the others will also show up in decent condition. Turns out that I also already have a beat up copy of #5, Galactica Discovers Earth, though it's in such bad shape I may want to try and find a replacement copy. Then I think I'll only need the following books: #6 The Living Legend, #8 Greetings From Earth, #10 The Long Patrol, and the final volume, #14 Surrender The Galactica.
I read book 2, Cylon Death Machine, (based on the two-part epic, "Gun On Ice Planet Zero") even more times. Thurston's adaptation is a terrific space adventure story that improves on the teleplay somewhat, and employs a truly neat narrative device that switches around between the viewpoints of various characters - including the hardboiled convicts that the Galactica crew conscripted from the Prison Ship for this "Dirty Dozen Against the Guns of Navarone at Ice Station Zebra" mission. Berkley chose to use Frazetta's TV advertising art for this cover - which I'm sure was a very wise commercial decision.
I remember that I received books 3 & 4 for Christmas, 1980. The Tombs Of Kobol adapted the two-part "Lost Planet of the Gods," while The Young Warriors adapted and slightly expanded upon the episode of the same name. Both of these books sported rather nice (and TV-accurate) wrap-around cover paintings by sci-fi artist David Shleinkofer.
Amazingly, this series outlived the television show by almost a decade - running all the way to 1988, and totaling 14 titles, the last few of which were original stories, and not adaptations of TV episodes. Somehow, I missed all of the later volumes (written by Thurston, Mike Resnick, Ron Goulart, and others), except for #13 - a Thurston original called Apollo's War. (Cover art by James Warhola.)
Oddly, I don't recall actually reading that one - I think I'll pull it out and add it to my "To Be Read" pile....
In the meantime, I think I'll start scouring online used booksellers for the volumes I'm missing. I'm especially interested in reading the later "originals" by Thurston.
ADDENDUM 2/5/12: I found a few of the ones I'm missing at some reasonable prices, and ordered four books from various online dealers: #7 War Of The Gods, #9 Experiment In Terra, #11 The Nightmare Machine, #12 Die, Chameleon!
Die, Chameleon arrived on Saturday in good shape. Hopefully, the others will also show up in decent condition. Turns out that I also already have a beat up copy of #5, Galactica Discovers Earth, though it's in such bad shape I may want to try and find a replacement copy. Then I think I'll only need the following books: #6 The Living Legend, #8 Greetings From Earth, #10 The Long Patrol, and the final volume, #14 Surrender The Galactica.
SHAKESPEARE & LOVE: TWELFTH NIGHT(1996) AND MUCH ADO ABOUT NOTHING (2011)
Watching adaptations of classics is one of my favourite pastimes and I'm glad I could recently add two titles to my "watched" list: the film Twelfth Night (1996) and a recent London stage version of Much Ado About Nothing (2011). Two of Shakespeare's greatest achievements in comedy, these are two of the plays I've seen performed on a stage more often (HERE and HERE), with The Taming of the Shrew and The Merry Wives of Windsor, and which I most appreciate for different reasons with As you like it. In both comedies we can recognize different takes on love by Shakespeare.
The 1996 film version of Twelfth Night, directed by Trevor Nunn with a remarkable cast (Imogen Stubbs, Elena Bonham -Carter, Ben Kingsley, Toby Stephens, Imelda Staunton, Richard E. Grant) is Shakespeare's comedy of gender confusion, in which a girl disguises herself as a man to be near the count she adores, only to be pursued by the woman he loves.
Romantic love is the main focus and, despite the fact that the play offers a happy ending, in which the various lovers find one another and achieve wedded bliss, Shakespeare shows that love can cause pain. The tone, is often melodramatic and mainly melancholic. I had never seen this film version before and I appreciated it quite a lot. Watch this clip with Toby Stephens as Orsino, Imogen Stubbs as Viola/Cesario and Ben Kingsley as Feste.
Much Ado About Nothing was instead a recent record breaking London West End production starring the irresistible Doctor Who couple, Tennant and Tate, as the disputatious Shakespearean lovers, Benedick and Beatrice, the most sparkling, unsentimental couple of lovers ever. Purists might turn their noses up at this production which is set in the 1980s in Gibraltar but it has a freshness and wit that is often irresistible, as irresistible as the chemistry between the two protagonists.
We are given different views of the same reality, love, views which we might call romantic (the plot Hero-Claudio) and realistic (Beatrice-Benedick). The first view is conveyed by Shakespeare through a conventional tragi-comedy story , while the second view is connected to the comedy of wit.
This adaptation brilliantly works on Shakespeare's exploration of the nature and the limitations of love, with a sparkling picture of the young, their games and jokes, easy enthusiasm and excesses. What Shakespeare hinted at in the background, here comes to the foreground thanks to the 1980s setting, the huge amount of drinking and smoking, the music and the intelligent direction of Josie Rourke.
Digital Theatre is the site I've recently discovered which gave me the possibility to download and watch on my computer this amazing staging of Much Ado About Nothing as if I were in London among the much amused audience in that theatre.How much we laughed! Digital Theatre is an incredible source of emotions, you can watch plays online or buy them and keep it forever in your computer to re-watch them whenever you wish.
red and blue and heat and famous towers

Endless hot days, sleepless hot nights. Sun dresses essential. I genuinely need more..! This one is perfect and it really needs some friends..! It's by Bernie Dexter. I've seen another great dress in this print which I really want, but would it be weird to have two dresses in the same fabric?
And I want to say a hello to my new readers! I can see that you are here. I also want to say a thank you to you all – my posting schedule has been a little out of whack these past few days and you have stuck around. You're the best! How about you introduce yourselves with something you love at the moment in the comments? I'll go first: ummmmm... I am loving pale lilac nail varnish and plenty of blusher. Your turn! x


Monday, January 30, 2012
Chinese young boy gifted with night vision
Since the young boy was usual in every other way, the parents shortly got used to his good-looking eyes and life went on as normal. Then a few years ago, Nong Youhui's teacher took notice of him bad tempered about how hard it was for him to see in the sunlight. To test his declaration the teacher requested him to detain crickets on a shady night - Certain adequate, the young boy wanted no human artificial light - His shining eyes were sufficient to catch the critters.








